Is this a model of creation? If we make music—primarily the form, at least—to fit these contexts; and if we make art to fit gallery walls; and if we make software to fit existing operating systems: is that how it works? Yeah. I think it’s evolutionary; it’s adaptive. But the pleasure and the passion and the joy is still there.
This is a reverse view of things from the traditional Romantic view. The Romantic view is that first comes the passion, and then they outpouring of emotion, and then somehow it gets shaped into something. And I’m saying well, the passion is still there, but the vessel that it’s going to be injected into and poured into: that is instinctively and intuitively created first. We already know where that passion is going.
When David Byrne started performing music from his CBGB days in Carnegie Hall and Disney Hall, he realized that it didn’t sound as good in these grander venues. He began wondering about how venues shape the music that is performed in them. This utterly fascinating talk on how architecture helped music evolve was the result.